Books

Title: Rising
Editor : Olaf Salié
Distributed: DAAB MEDIA worldwide
On Sale: 2012
Format: 24 x 28.7 cm
Pages: 420
Features: Hardcover with dustjacket
Price: 65 EUR




THESE ARE THE ARTISTS TO KEEP AN EYE ON!


They are young, inspiring and challenging. They are surprising and convincing. And they are unmistakable. For all that, the 100 young artist personalities showcased in Daab’s new book project, Rising, do have something in common: their work is already firing great hopes that they’ll occupy commanding positions in the art scene.
Be it admitted from the start: this is of course a subjective choice. But the question has to be: can any small selection from the diverse young art world be objective? Of course not! So the editorial board of this project quite deliberately embraced the difficulty in making its choices. And a good job too, because the contestable process resulted in an unusual book.

Editor Olaf Salié and the selection board are all intimately familiar with the vast spectrum of contemporary art. The team consists of Alexandra Wendorf, editor-in-chief of Junge Kunst; gallery owners Dr. Rupert Pfab and Thomas Rehbein; collector Dr. Thomas Rusche; businessman and co-founder of Kirschpflücker e.V. Fritz Conzen; artist, designer and curator Mike Meiré; and Gérard Goodrow, former director of Art Cologne. The last-named is also one of the team of authors, which also includes art historians Rebecca Maria Jäger, Thomas W. Kuhn, Sabine Elsa Müller and Julia Ritterskamp. The editorial and organisational coordination was managed by experienced Cologne editor Christiane Blass. All of them contributed their knowledge and judgement skills to the project.

The result is a compendium of personalities and positions, across the spectrum of artistic disciplines – all of which one should literally keep an eye on. All of these young national and international artists have a connection with Germany. Their will to make, their seriousness, and the exciting, relevant work they have created, merit attention and critical commentary. There are very young artists among them, who have not yet graduated from their academies, as well as others who are already achieving success in the art world. The team who worked on this book felt this range was important in order to display the full range, relate different positions to each other, and in the process survey the current art scene as revealingly as possible. This publication is a watchlist, essential for art lovers, collectors, gallery owners and curators. Uninfluenced by hype, it blazes a trail through the lively, fascinating, and virtually impenetrable world of young artists on the fringe of the established art scene. In alphabetical order, the book presents highly impressive personalities whose work covers a broad spectrum of the visual arts. Whether abstract or figurative, colourful or monochrome, stimulating, impulsive, provocative or wistful, they all open up new perspectives to the beholder. Mike Meiré’s understated design gives the works
the space they need to make this entrance into the world of new artists a sheer pleasure.

For a list compiling the 100 artists please visit www.daab-media.com/Books/Daab_Books/RISING.html







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Title: Ein Hungerkünstler
Graphically designed by : Jürgen Schlotter
Distributed: Zeixs
On Sale: 2012
Format: 120 x 225 mm
Pages: 56
Features: Linen with Embossment
Price: 30,80 EUR



Graphic designer Jürgen Schlotter transforms Franz Kafka’s story, published in 1922, in an extraordinary way. Typography and illustration merge into one, creating a unique visual interpretation and representation of the text.

Kafka’s Ein Hungerkünstler is a parable about the self-made isolation of an artist from his readership, meaning that his true nature remains misunderstood. The typography used in this edition for book-lovers – 26 letters as well as puntuation marks – was carved from linocuts and then digitalised so that the rough, chiseled, brittle lettering creates a palpable sense of the protagonist’s inner turmoil.

Schlotter’s unconventional interpretation of Kafka’s story has already won several prizes: the Red Dot Award, ADC (Art Director’s Club) and the Vida Paper Award.

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Title: Skull Style
Published : Patrice Farameh
Distributed: DAAB MEDIA worldwide
On Sale: 2012
Format: 34,3 × 24,8 cm
Pages: 496
Features: Hardcover with special box
Price: 90 EUR



One of the most ancient symbols used in the history of mankind is shown in the most surprising and modern way in this book. Formerly an emblem of evil and mortality, the skull has been transformed into an avant-garde design element used in the most cutting-edge art, chic interiors and vanguard style of the moment. Whether embellished on costly T-shirts, woven on limited edition chairs, and even encrusted with diamonds sold at an art auction for $100 million, the skull is no longer just a daunting memento of our frail mortality but a contemporary figure of fashion. This 500-page book shows how this once morbid trinket of death has been reinvented into the much-desired decoration by the trendsetters of tomorrow.

KULL STYLE: SKULLS IN CONTEMPORARY ART AND DESIGN
PATRICE FARAMEH curates this comprehensive 496-page tome dedicated to the bold image of the skull. Once an emblem of evil and mortality relegated to fringe groups, the skull has been transformed into an avant-garde motif in contemporary art, design and fashion. SKULL STYLE features work from over 100 most influential artists and designers of today, such as Ron English, Damien Hirst, Philippe Pasqua, Sante D’Orazio, Angelo Filomeno, Jan Fabre, Kate MacDowell, Agus Sawage, Jean-Paul Basquiat, Kendell Geers, Mauro Perucchetti, Typoe and many others.

PATRICE FARAMEH, an internationally published editor and creative force behind the Curated Collection is using her expert knowledge of the luxury and lifestyle industry to curate this beautifully illustrated book showcasing the best examples of the bespoke creation of todays most sought after
design.
Four different glow-in-the-dark cover art options have been custom designed by fashion designer LUCIEN PELLAT-FINET.
In addition, a collectible, numbered limited edition of SKULL STYLE will be available to book collectors, featuring an original signed skull silkscreen book cover by artist PETER TUNNEY.







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Title: Futuristic – Visions of Future Living
Publisher: DAAB Media
Edited by :
Caroline Klein
Text by : Professor Stefanie Lieb
Design by :  Meiré und Meiré
On Sale: 2012
Format: 24 x 28 cm
Pages: 272
Features: Hardcover with dustjacket,
Price: 55 EUR

 

The World of Tomorrow
Visions of Life in the Future

The world is changing rapidly, and the impact is felt especially in the space we live in – both positively and negatively. Globalization, population growth and climate change are cause for anxiety. The responses of
politicians are half-hearted compromises, and many changes are already irreversible. But a quite different
profession is reacting faster, more cogently and with greater courage to the challenges: the architects of the future. They are evolving impressive visions, seeking innovative solutions, and providing sources of hope for the world of tomorrow. Their experimental designs confront the ongoing challenges and consider the options for technological development from a variety of angles.

The designs by 53 architectural bureaus showcased in DAAB’s new publication FUTURISTIC are arresting
and convincing in their futuristic form-giving and visionary power. In the chapters ‘Urban’, ‘Towers’, ‘Atmosphere’, ‘Green’, ‘Water’ and ‘Bionic’, globally celebrated architectural bureaus such as FOSTER + PARTNERS, BIG, MAD, J. MAYER H. ARCHITEKTEN and others reveal new perspectives: in the cities of the future, vegetative high-rises will grow out of the ground, be nourished by photosynthesis, and supply occupants with fresh air. Architectural structures spanning entire cities will rationalize conurbations, and on the few urban freeways, embedded in jungle zones, road-users will be transported by a system of computerized electrical vehicles. Those whose habitats have been submerged under the seas will live in settlements on or under the water. Space is included in these designs too – the old dream of living on the moon has life in it still…

FUTURISTIC impressively shows that the models for a world that revolutionizes our concepts of living already exist. The virtual designs are accompanied by commentaries by Professor Stefanie Lieb, historian of architecture, and by outstanding essays from Florian Heilmeyer, Winka Dubbeldam, J. Mayer H., Christoph Ingenhoven, Philippe Rahm, Dickson Despommier, Caroline Klein, Alberto T. Estévez, Mitchell Joaquim and Maria Aiolova, and Luca Molinari, and the message they all send together is a positive one: despite all the adverse factors, the world of tomorrow will still be one worth living in. The architects are achieving the impossible – creating a space for utopia.









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Title: SLANTED #16 – Bold/Light
Design: MAGMA Brand Design
Publisher: MAGMA Brand Design
On Sale: 2011
Format: 21 x 27 cm
Pages: 180
Features: hardcover – German / English
Price: 12 EUR


Slanted #16 – Bold/Light is contrast. The new issue deals with the loud and the silent, the eye-catching and the inconspicuous.

BOLD is the opposite of despondent. In typography it is a popular method of accentuation. LIGHT is the opposite of noisy and bigmouthed. For this theme of contrasts we initially had more loud and bold fonts, works and pictures in mind than quiet, restrained ones. We are impressed of a time – striking and epic in its occurrences – which rushes past and carries us off. The soft overtones only get little attention at this rapid speed.

So, how can we pause, set the LIGHT against the BOLD? The fluid, cinematic moment of presentation has an exceptional meaning for us also in this issue. We are bothered about a linear concept of narration. The rhythmic comparison encourages to stay and immerse. Creative decisions and the use of typography for this compilation were stretched far to specific borders, to underline the topic and to work out the character of the two extremes. This precipitates also in the production: By the use of different, metallic Chromolux papers and a two-colored finishing, issue #16 appears with six different covers. Furthermore a haptic surprise awaits the reader in the inner part.

Slanted is glad having the chance to present two photo series, which interpret the terms BOLD and LIGHT on a special, distinctive way: The historical photography of the propably most significant heavyweight champion of all times, Muhammad Ali (UPI/Bettmann/Corbis), as well as a critical photographical counterdraft to the “soft-washed” and alleged airy aesthetics of David Hamilton, created by Mareike Foecking (Düsseldorf).

Slanted features type essays by Jean François Porchez (Clarmart), Horst Wöhrle (Esslingen), Reinhard Albers (Constanz) and Nanna Funke (Münster), furthermore interviews with Ian Party (Lausanne), Ludwig Übele (Berlin), Eric Gill, Michael Horsham (London), Doug Wilson (Springfield), Raffinerie AG für Gestaltung (Zurich), Jost Hochuli (St. Gall), Thomas Lupo (Weissach) and Mareike Foecking (Düsseldorf), as well as reports by Michael Schmidt (Munich), Ian Lynam (Tokyo) and a musical travel report by Frank Wiedemann (Berlin).



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Title: Rock, Paper, Scissors : The Work of Julien Vallée
By: Julien Vallée
Publisher: Gestalten
On Sale: 2011
Format: 21.6 x 28 cm
Pages: 160
Features: full color, hard cover, incl. video downloads / English
Price: 35 EUR



Julien Vallée’s incomparable visuals explore the relative roles of the computer and handmade processes in design. The young Canadian works in a wide range of fields, including art direction, motion graphics, print design, and art installation as well as video and design for the television industry. With his expert use of manual processes strongly supported by the technological tools of today, he creates outstanding art and design that seamlessly bridges the gaps between these disciplines. This first monograph presents Vallée’s commissioned work and personal projects. Each book includes a unique log-in code for accessing Vallée’s video work online.


The graphic designer and art director Julien Vallée represents a new generation of designers. The young Canadian is a virtuoso at melding the most diverse analog and digital design techniques. He combines graphic design, stop-motion film, and a talent for staging space to create fascinating worlds of images in his work.

Enthusiastically multidisciplinary, Vallée is as versed in traditional skills such as drawing, cutting, illustration, and collage as he is in the use of technologies such as stop-motion animation, video editing, and interactive design. Thanks to his expertise in both of these realms, the Montreal-based designer seamlessly bridges the gap between the manual and virtual production of art.

Although he mostly develops and stages his installations and stop-motion films using simple materials such as paper, wood, and plastic, Julien Vallée’s magically arranged spaces are, at times, reminiscent of the work of a twenty-first-century Escher. The designer’s work has already been heaped with prizes such as the ADC Young Guns Award and the Creative Review Award 2010.

The monograph Rock, Paper, Scissors not only presents Julien Vallée’s commissioned work for clients such as the New York Times, MTV, AOL, and Computer Arts, but also includes a selection of personal projects. Each book includes a unique log-in code for accessing Vallée’s own making-ofs and other video work online.








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